Capture One Pro 10 Review



Capture One Pro 10 is the latest release of Phase One, the high-quit digital camera maker’s virtual asset management (DAM), raw converter, and photograph editing software.

Top Theto

With Apple’s Aperture software now discontinued, Capture One Pro is positioned as one of the marketplace leaders in opposition to Adobe Lightroom and billed by using Phase One as ‘the Professionals’ desire in imaging software program’. Key capabilities include a claimed ‘excellent’ handling of shade, customizable workflow, efficient overall performance, immediate tethered seize, asset management, and photo modifying. I am a long-term user of Adobe Camera Raw, Lightroom, and Photoshop; with the minimum, I enjoy the most recent variations of the Capture One Pro software program until this state-of-the-art model. While that is an overview of Capture One Pro 10 (and now not a contrast, take a look at), there can be instances wherein I draw quick comparisons and differences between those massive players inside the imaging software program globally.

New Features

Improvements in this contemporary version of Capture One Pro are incremental in preference to astronomical. Such change levels are unsurprising in a well-hooked-up software program in component because full-size adjustments run a better danger of operational problems. Here is a rundown of the new functions/improvements:

Three Step Sharpening – with diffraction correction and halo control
Output Proofing – one click on ‘Recipe’ resizing
Camera Focus Tool – tethered digital camera focusing from the laptop
All About Colour – up-to-date custom camera profiling
Tangent Panel Support – a guide for expert entry panels
Supercharged LCC Creation – 10x quicker LCC
Folder Merging in Catalogues – pass, reorganize, and merge folders with drag and drop
Filter By Orientation – filters work with panorama, portrait, and rectangular layout photos
Auto Mask For All – auto mask functionality prolonged to Fuji Xtrans, saw, and new formats
Improved sRaw and maw Support – lens correction, chromatic aberration analysis, and LCC era for maximum compressed formats from Canon and Nikon


Apple Script Extended (Mac Only): Target meta records fields, version selection, and EIP percent nation for automation exercises. Alongside the launch of model 10, Phase One and LogicKeyboard have created an authentic Capture One Pro Apple keyboard featuring color-coded keys with shortcuts and icons.


Capture One Pro 10 is available for Mac OS X (10.11.6 and 10.2) and Windows (7, eight, and 10). It may be mounted simply through the Phase One website (www.Phaseone.Com). Click on the Download option within the toolbar for an unfastened 30-day trial with all functions unlocked. Over 400 digital cameras are supported by Capture One Pro 10, with a listing of all supported devices again on the employer’s website. On the Capture One Pro 10 product page, there are three options for installation: Buy, Subscribe, or Update. Such a flexible choice is not to be had for Adobe Lightroom’s likes, a part of the Adobe Creative Cloud subscription handiest provider. Capture One Pro 10 starts at 279 EUR + VAT to purchase outright. To subscribe, expenses begin at 12 EUR + VAT in step with the month, and to upgrade from model 8 or 9, it’s ninety-nine EUR + VAT—price growth for enterprise applications where multiple copies of the software are required. On first opening the software, there are four ‘products’ to select from: Pro, Pro (for Sony), Express (for Sony and DB (for Phase One and Mamiya Leaf owners handiest), observed through 3 options: strive (the 30-day trial), purchase (buy a license code) or activate (input your license code). This evaluation is primarily based on the Mac version of the Pro product, using a MacBook Pro Retina (Early 2015) with 16GB memory, a 2.7GHz processor, and a Mac OS Sierra 10.12.3 running system.

Ease of Use

The great consequences of the camera are encouraging promises from Phase One – Capture One Pro 10 should be clean to apply. Thankfully, to a degree, it surely is. But there is the obvious caveat – to get the most out of the software program, particularly with workflow, a piece of time is needed to discover simply what is on offer. Numerous video tutorials, adjustment courses, and webinars are available via the Phase One website, which must help familiarize you with various strategies and workflows. At first glance, the default interface is laid out sincerely. A decision on the image is displayed in the middle of the display screen, with a filmstrip of snapshots from the same folder on the right and a control panel at the left. Put without a doubt, the format is intuitive – items are located where they want to be. To import new photos, click on the import icon in the pinnacle left of the display screen or the middle of the display screen for a listing import (or document> importance), then choose a folder. Memory playing cards are robotically detected.

An (obligatory) desire to put the pictures in a session-based or ‘catalog workflow. Session workflows are geared more towards tethered shooting and smaller companies of snapshots, while catalog workflows host one’s complete image library. Catalog workflows enable extra management over enterprise than session workflows. For instance, images may be located in ‘user series’ albums, which might be organized in the way you like, which includes by subject or date. Handily, these folders are unbiased from the supply vicinity of the photographs.

In each workflow, seized pics (tethered taking pictures) and imported photographs are stored in separate folders. During import, image filters may be batch-applied for innovative results.

By determining how you organize catalogs and folders in Capture One Pro 10 from the beginning, it’s feasible to navigate your manner through years of photos with relative ease. On the left-hand side of the interface is the device place, divided into several device tabs: library (picture folders), capture (tethered seize options), lens (for lens corrections), color (ICC profiles), exposure (modifications), details (sprucing and noise discount), nearby changes (adjustments for mask) and metadata (picture information and key phrases).

Most man or woman equipment, curves, and polishing may be located in a separate field for quick access using the ‘Create Floating tool’ alternative. A second bar of tools consists of the crop, loupe, flow, and choose functions, amongst others. All equipment is or can be near hand for quick entry. Overall, the format is wonderful, with options for customizing it.

Overall, the personal interface and layout are not too varied to Adobe Lightroom; however, I chose Capture One Pro format at a push, and there appears to be further customization. Focus masks and exposure warnings are reachable equipment for quick number-one tests over a few snapshots. Activate ‘recognition mask’, and (through default) highlight the areas in recognition on all images. Inexperienced – out-of-consciousness shots can be discounted quickly. Likewise, the exposure caution device indicates blown highlights in crimson. Local changes can be made, with up to 16 layers on a single photo, which can be manually named. For example, draw masks and gradient masks create a brand new layer.


The fill mask characteristic is exquisite – it is easy to draw and define with the draw mask device, then click on the fill mask choice to fill in the outline. No holes continue to be; that’s continually a risk with completely manually drawing masks. There is an omission of the equal to Lightroom’s ‘radial filter out,’ a specifically handy device for fast mask software to huge areas in a picture. A big brush length inside the draw mask device is an acceptable alternative. Tethered seize terrifically and advanced to the equal function in Adobe Lightroom. Capture One Pro is compatible with an in-depth number of cameras. Once a camera is connected to the PC, it’s automatically detected. There is a complete menu for changing digital camera controls, and the stay view may be activated via the Window menu. In most instances, tethered live view is supported (which is useful if now not an essential feature for tethered shooting), plus the manipulation of most camera settings. Depending on the camera, one or more settings can only be selected in-camera, together with force mode. If tethered shooting is your component, then Capture One Pro 10 is a pride. All in all, for the primary operation, it does not take long to become familiar with Capture Pro One; simultaneously, there’s more to explore as you continue to use the software.


A software program’s operational velocity varies depending on many factors, including the laptop used, disk space to be had, and photograph supply. Importing a batch of a hundred raw images (36 million pixels each) from the computer’s difficult pressure to a brand new catalog took about 30 seconds, which is hugely impressive. The velocity changed into a compromised fragment by uploading from an outside force; however, nothing was large. Magnifying and scrolling throughout a particular picture is clean and without lag. The identical can be stated for the usage of the masking brush. The ‘Capture’ tool for tethered shooting is first-rate, responsive for shutter release, and short on staying view refresh.

Exporting those above 100 raw pixels as soon as edited turned into a path lots slower than import at around 20-25 mins. However, when processing does take time, in maximum eventualities, one can keep the software’s usage at ordinary velocity for different jobs while the processing is being achieved. Batch processing was clever; the maximum number of documents I dealt with in a single task at some point in my check turned between 500 and 1000. Whether running on single image enhancing or processing a couple of photographs, I rarely located myself waiting around or being annoyed. Typically, I might plan a large batch export for a time far from the display. Capture One Pro 10 is a nicely oiled gadget with the maximum components and an outstanding operational pace.

Onto photograph modifying. By default, Capture One Pro applies a gaggle of adjustments for the duration of the import of raw files, along with ICC profiles (coloration management) and lens corrections unique to the digicam and lens model, plus sprucing. The default import settings of Capture One Pro are dynamic; however, they are no longer over the pinnacle in any manner. One can customize the import with batch edits from personal presets or image filters to create quick workflows. In a few instances, the appearance may correct sufficiently immediately from the off without further improvements. So, if you need to minimize the number of modifications wanted on pix, this is a big plus. As a fundamental edit, I would observe changes to white balance, curves, contrast, vibrancy, clarity, etc.

In contrast, Lightroom offers more neutral uncooked picture processing than Capture One Pro, with sharpening at a minimum and lens corrections not implemented. Neither approach ‘betters’ the alternative because the image adjustments applied all through import can be changed in both cases. I can upload sprucing, and lens corrections (in addition to desired settings for clarity, curves, and so on) to a Lightroom preset implemented all through import. Conversely, I hope to reduce the sprucing applied in a Capture One Pro import.

To reiterate, I prefer the default way, Capture One Pro strategy pix.

Those bothering to put money into software like Capture One Pro (or Lightroom) accomplish that to get the most out of their pics, and a willingness to put a touch of time into reaching this is needed (or, at minimum, creating presets to gain this). Whether finished at some point of import, batch carried out in modifying, or going through pix one at a time, applying Capture One Pro changes is very simple. White balance changes for pictures are a breeze thanks to the vast functions of the white stability picker. Further to the standard gray selector, you can choose white to balance your skin tone at a click. This device is logical. Typically, if a person is in a photo, I could need their pores and skin to appear just right in choice to their environment.

A new function for lens corrections includes diffraction correction. Without explaining diffraction in exquisite detail – a lens has its sharpest factor, normally its center apertures consisting of f/8 or f/eleven on a DSLR. When one uses a smaller gap than this, which includes f/22, a diploma of softening occurs. The new diffraction correction device addresses this softening, which has to be a unique hobby for panorama photographers. Having experimented with the diffraction correction device on my landscape pix, I discovered the effect was subtle but powerful and free from artifacts, unlike the competitive use of polishing. In my workflow, I settled on preserving the diffraction correction applied to snapshots using the default, after which, if an image is specifically tender, I could then apply similar polishing manually. Diffraction works with an unmarried click so that it can speed up workflow. Sharpness and light fall-off corrections are especially beneficial equipment for wide attitude lenses wherein lens distortion is prominent in aspect elements. Having these tools at one’s disposal can ensure a desirable picture right from the center to the edges.


The closing tool I will comment on here is spot elimination. The automatic sourcing carried out through Capture One Pro 10 is correct for the maximum element, although it genuinely helped by using the user to select a suitable spot length and an appropriate kind (‘dust’ or’ spot’). The ability to manually trade that information for each area is handy. Overall, the auto software of Digicam and lens correction gear combined with a degree of guided control means that Capture One Pro can handle much of anything thrown at it.


With its intuitive layout, clever picture processing, and comprehensive coloration management gear, Capture One Pro 10 should be popular among picture makers. What’s extra is that the tethered seize is seamless and thorough. Capture One Pro 10 handles raw pix very well – the sprucing applied, plus digicam and lens profiles, provide a dependable starting point to paint. Spot removal and nearby adjustments like the overlaying brush require a methodical technique, but the results are more suitable. If you need to process loads of pictures from a day’s/week’s shoot and make basic modifications to make the snapshots appear just properly, then Capture One Pro 10 will no longer disappoint. Exporting large numbers of pix of the path takes time. However, the time will no longer be wasted through cautious private planning or continuing to use the software for other jobs at some point of export. Although ordinarily created as a modifying tool for Phase One’s excessive-end cameras – the ‘experts’ – Capture One Pro 10 will work for photographers of most talent bases and brands, which is especially advocated by using Photography Blog.